On Wednesday 27th March 2019 the Carlow Historical and Archaeological Society held their annual History Project Competition. Entries were received from primary school children all across County Carlow.
This Sunday will see the 91st Academy Awards aka The Oscars, and Carlow has more Oscar connections than you might think. Let’s take a closer look at some of Carlow’s Oscar Contenders in the lead up to the big night…
In celebration of the Feast of St Willibrord, Patron Saint of Luxembourg and his Co Carlow connection the Right Reverend Michael Burrows, Bishop of Ossory, Cashel, Ferns, Lismore, Waterford and Leighlin along with the Most Reverend Denis Nulty, Bishop of Kildare and Leighlin invited 5th and 6th class pupils in primary schools in Co. Carlow to take part in an art competition.
Tuesday last, the winners of the competition gathered in Carlow County Museum, with their proud parents to accept their plaques and a class arts supply voucher from Bishop Burrows, Bishop Nulty and Cllr. Fergal Browne, Chair of Carlow County Museum.
First place went to Hannah Kehoe 6th Class Borris N.S., second place to Zach Cassells 6th Class, Carlow N. S. and joint third place to Kacper Gniedziejko 6th Class, Scoil Molaise and Catelyn James Gibbons 6th Class, St Mary’s N. S. Continue reading
In our first blog of 2015 Katherine Anne Monica McGill outlines her project ‘Granny’s Christmas Pudding’, an installation that took place in Carlow County Museum from February to July 2014. It was previously part of a series of installations by Dun Laoghaire Institute of Art, Design and Technology (IADT) students in Visual Carlow in December 2013.
‘Granny’s Christmas Pudding’ was an installation acknowledging obsolete and disappearing information and skills. Our modern world has superseded a lot of the old ways; others are lost to us now because people – like my Granny – have gone to their eternal reward. Such people took with them the expertise they carried so easily at their finger-tips. With the flippancy of youth, I omitted to garner such skills before it was too late, and now I do my best to recall them from hazy childhood memory. I imagine this is a common experience, as applicable to other people as it is to me.
The installation itself comprised fallen leaves I collected in Autumn 2013 from beneath the trees at Carlow College (St Patrick’s College) in Carlow town, and a notebook in which I wrote the information in “joined up” handwriting. I used an old fountain pen and ink. It remains with Carlow County Museum for future reference. Visitors were encouraged to collaborate in the display by including in the note book any disappearing skills they recalled. Using Gregg shorthand (itself also a disappearing skill), I wrote various data on the leaves. Older people might remember learning this by rote in their primary school days. Younger people might be intrigued to re-discover it. Included, for example, are old conversion tables of weights and measures. These now seem so quaint: quarts, minims, bushels, perches, roods and leagues; old legal tender (pounds, shillings and pence), Morse code (long and short sound signals representing letters and numbers), some poetry, and commonplace prayers in Latin. This project augmented my own knowledge: how to bone shoes was definitely new to me!
Most important of all, I discovered that Carlow people of a certain age remember with affection drinking Corcoran’s Mineral Waters, so I particularly appealed for anyone who might know the recipes or their whereabouts to include this in the notebook.
Why write on leaves? Because they naturally become brittle and disintegrate, so the skills and information the leaves carried are once again apparently lost. The project also echoed papyrus (another plant leaf) used by ancient peoples to record their important information. Even though the information has been decoded, some of it is still obtuse to us today.
On the last day of July 2014, when the New Year’s leaves were fluttering on the trees at Carlow College, members of Carlow County Museum kindly agreed to crumble the leaves of the installation at Carlow College grounds. The process was recorded by Museum staff. It was a fitting end to a display inaugurated in February.
My heartfelt thanks are given to Dermot Mulligan, Museum Curator and the staff of Carlow County Museum for their enthusiasm for my installation; to Cora Cummins, Print Tutor at IADT Dun Laoghaire and Emma Lucy O’Brien of Visual Carlow for their initial invitation to consider a Carlow project. Visual Carlow is thanked for lending some equipment. The visitors to Carlow County Museum are especially thanked for their many contributions to the notebook. Thirty pages of responses exceeded my most optimistic expectations. I hope they enjoyed their visits to this wonderful Museum and their collaboration.
And what of Corcoran’s Mineral Waters? All is not lost, apparently. Unlike my Granny’s Christmas pudding, it seems there is yet someone in Carlow who may hold the precious knowledge. Perhaps some day soon people will be able to say with relish again “Ah, Corcoran’s!”
Katherine Anne Monica McGill under took this installation as a 3rd year student on the Visual Arts Practice course in Dun Laoghaire Institute of Art, Design and Technology (IADT). The aim of this four-year course is to educate and inspire student artists through an integrated and multidisciplinary experience, helping them to create a comprehensive portfolio of work, tested against ‘real world’ situations. Carlow County Museum was delighted to host Katherine’s work.
Saidhbhín Gibson outlines her project ‘Sojourn’; a solo exhibition that took place in Carlow County Museum in June 2013. It was launched during Éigse Carlow Arts Festival and supported by Carlow Arts Office.
The exhibition ‘Sojourn’ was the outcome of a longstanding interest to exhibit a body of work in a museum context. This project was installed among the displays at Carlow County Museum creating a trail through the building offering carefully planned juxtapositions between the artworks and the museum’s historical artefacts.
One such piece in the exhibition was ‘Merit’. It was placed amid the Museum’s ‘Mike – the man of the Rás’73’ display. It contained a lively, rotund lichen (Usneas subfloridana) atop one end of a speckled tree bark. At the other end there was a brightly coloured insignia, similar to that which features on certificates. This circular shape mirrored the form of the organic matter while also linking in with the brightly coloured cycling jerseys featured in the museum’s exhibition. The artwork suggested a celebratory status of the organic matter.
‘Lichen gilt’ was another piece in the exhibition that contained similar collected material but of a different species and format. The edge of a decoratively printed saucer was adorned with a Candelaria concolor lichen. The small organic matter contained a number of colours and gave the impression it had been hand painted onto the pottery. The piece was fittingly displayed on a dresser in the museum’s kitchen installation. Many of the pieces in the exhibition brought the outdoors inside to inhabit our surrounds and indeed, be viewed along side the preserved and protected.